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THE GETTY CENTER LIBRARY 


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ILLUSTRATED CATALOGUE 


OF 


in _ INCLUDING THE COLLECTION OF 
ne THE LATE 


, Join D. CRIMMINS 


NEW YORK 


ve EX: LIBRIS + 


pe kactimet+ treble tel tes lara 


J.CLARENGE DAVIES. 


Poe 


ILLUSTRATED CATALOGUE 


OF 


ETCHINGS, ENGRAVINGS, LITHOGRAPHS 
AND PAINTINGS 


INCLUDING THE COLLECTION OF THE LATE 


JOHN D. CRIMMINS 


FIRST SESSION 
TUESDAY NIGHT, MARCH 26, 1918, AT 8:15 O'CLOCK 


Lots 1—195 


AMERICAN CITIES, VIEWS, ETC. 


1 ANNAPOLIS. Bird’s-eye View of the City of Annapolis, 
Maryland: Colored lithograph by Chas. Magnus, 1864. 


2 BALTIMORE. View of Baltimore. Colored lithograph 
by A. Hoen, and published by the Board of Trade. 
[circa, 1850. | 


A very rare view. 


3 —— Battle of North Point, near Baltimore, Sept. 12th, 
1814. Lithograph by Endicott & Swelt. 
An interesting item of the War of 1812. 


4 BETHLEHEM, PENNSYLVANIA. Engraved by Strick- 
land, after the painting by T. Birch. Colored. 
Framed. 


5 BOSTON. Grand Panoramic View of Tremont Street, 
Boston, East and West Sides, from Court Street to the 
Common, 1854. Colored lithograph. 


5 


10 


11 


12 


14 


15 


16 


BOSTON. Water color drawings: New Public Library, 
Boston; Boston City Library; Fort Independence, Bos- 
ton Harbor; Summer Street, Boston; New Boston 
Theatre, Washington Street; Blackstone Square, Bos- 
ton; Residence of Mrs. Mudge, Swamscot. All signed 
Champney. Oblong folio. [circa, 1850.] (7) 


BRIDGEPORT. Iranistan an Oriental Villa. The 
County seat of P. T. Barnum Esq. Proprietor of the 
American Museum, New York. Colored lithograph by 
Sarony & Mayor. Folio. 


CALIFORNIA. The Reconstruction Policy of Congress, 
as Illustrated in California. Lithograph. 


Anata es politicians carrying the load of the mixed 
e. 


CALIFORNIA. Mammoth Tree Grove, Calaveras County, 
and Its Avenues. Lithograph by Nagel, Fishbourne 
& Kuchel, Sanfrancisco, 1862. 


FALLS OF CHAUDIERE. Aquatint by J. W. Edy, after 
G. B. Fisher. Published in London, 1795. Fine im- 


pression. 


CHICAGO. Steam Fire Engine Little Grant No. 6. Or- 
ganized February 14th, 1860. Lithograph by Edw. 
Mendel. Folio. 


CINCINNATI. Camp Dennison, taken from Old Aunt 
Roady’s Hill. Drawn by Johnson, Zouave L’t. Guard, 
Company A. Lithograph by Gibson & Co. Folio. 


DELAWARE WATER GAP. View of the Water Gap and 
Columbia Glass Works. Engraved by Strickland, aft- 
er the painting by T. Birch. Colored. Framed. 


GLOUCESTER, MASS. View of Gloucester from the Ten 
Pound Island. Lithograph by M. M. Tidd. 


HOBOKEN. Pleasure Railway at Hoboken. Colored 
lithograph by D. W, Kellogg of Hartford. 


A very rare view. 


INDIANAPOLIS. General view in centre, surrounded 
by thirty-one small views of important buildings. Col- 
ored lithograph by E. Sachse & Co., Baltimore. |[circa, 
1850.] Large folio. . 


17 


18 


19 


20 


21 


22 


23 


24 


25 


26 


ait 


JERSEY CITY. Large Oil Painting of Jersey City 
Heights with a view of the Old Court House and 
Prison. In the foreground is an old horse stage of the 
Hoboken and Bergen line. [circa, 1840.] Height, 30 
inches; length, 40 inches. In walnut frame. 

A very decorative canvas. 


KEY WEST. Colored lithograph by Chandler & Co. 
Folio. 


MOBILE. View of, taken from Pinto Island. Published 
by Risso, artist and lithographer. Folio. [circa, 1860.] 


FALL OF MONTMORENCI. Aquatint by J. W. Edy, 
after G. B. Fisher. Published in London, 1796. Fine 


impression. 


MOUNT VERNON. Bird’s-eye View of Mount Vernon. 
The Home of Washington. Colored lithograph by Cur- 
rier, 1852. 


NANTUCKET. View of the Fire in Main Street, May 
10th, 1836. Colored lithograph. Boston. Framed. 


NEW HAVEN. From Ferry Hill. Tinted lithograph by 
Tappan & Bradford. Long folio. 


NEW HAVEN. New Haven, Conn., from Ferry Hill. 
Tinted lithograph by Tappan & Bradford, Boston. 
Published in 1849. Framed. 


NEW HAVEN from the southeast. Lithograph by Thos. 
More. Bird’s-eye View on Eliphalet Mariner’s Stock 
Farm, Canton. Fulton Co., Hl. Lithograph. (2) 


Two very unusual American views. 


NEW LONDON. Map of New London and its Vicinity. 
Exhibiting the situation of the Harbor, Forts, Frigates, 
etc. Engraved and printed by A. Doolittle, New 
Haven, Aug. 20th, 1813. 


A very scarce map. 


NEWPORT. A Plan of the Town of Newport in Rhode 
Island. Surveyed by Charles Blaskowitz. Engraved 
and published by William Faden, London, 1777. With 
a key of references. 

Rare Revolutionary item. 


7 


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28 


29 


30 


31 


32 


33 


34 


35 


36 


37 


NEWPORT, R. I. Friends’ Meeting House. Tinted 
lithograph by T. Sinclair, Philadelphia, after drawing 
by Wm. Dame. | 


NEWPORT, R. I. Newport and the Scenery. The. 
Friends’ Meeting House. Tinted lithograph by T. 
Sinclair; on stone by John Collins. 

This and the preceding lot are very scarce views and 
are not often to be had. 

NEWPORT. Yacht Squadron at Newport. Colored lith- 
ograph by Currier & Ives. 


NEW YORK CITY 


NEW YORK, 1855. From the Latting Observatory. En-" 
graved by Wellstood, after Smith. Colored. Framed. 
The Crystal Palace and the Old Reservoir at 42nd 
Street and Fifth Avenue form an interesting part of the 
print. 
NEW YORK AND ENVIRONS. Engraved by R. Kupfer 
and printed by H. Peters. Framed. 


ARLINGTON HOUSE. Situated in Kings County, Long ~ 
Island. Seat of James Bennett, Esq. ‘Tinted litho-— 
graph, proof. Folio. 

Located at Eleventh Avenue and 83rd Street, Flat- 
bush, Brooklyn. Rare. 

BRIG.-GEN. MICHAEL CORCORAN of the Irish Bri- 
gade. Late Colonel of the Gallant N. Y. 69th. Colored 
lithograph. 


BROADWAY HOTEL. Music Sheet, Broadway. Color- 
ed lithograph. Endicott & Co., 1849. 


BROADWAY AND CANAL STREET. Drawn and etch- 
ed by T. Homar. Aquatint by J. Hill. Broadway, 
New York. Showing each building from the Hyger- 
man Depot, corner of Canal Street, to beyond Niblo’s 
Garden. Printed by W. Neale. Published by Joseph 
Stanly & Co., 1836. 


Beautiful brilliant impression of this very scarce print. 


BROADWAY, NEW YORK. South from the Park. Col- 
ored lithograph by N. Currier. Framed. 


American Museum, Astor House and St. Paul’s Church 
in the foreground. 


388 BROOKLYN, N. Y., 1854. Engraved by Wellstood & 
Peters, after B. F. Smith. Published in New York, 
1854. Large folio. 


389 CRYSTAL PALACE. Printed in oil colors by George 
Baxter, 1853. Full margins, Framed. 


40 CRYSTAL PALACE. For the Exhibition of the Industry 
of All Nations. Tinted lithograph by Nagel & Wein- 
gartner, and published by Goupil & Co., New York. 
Framed. 


41* DUKE’S PLAN OF NEW YORK AND MAP OF NEW 
) ( jy YORK, 1642. Colored lithograph. Published in Val- 
My) ‘ entine’s Manual, 1859. Framed. (2) 


42 DAY LINE OF STEAMERS on the Hudson River. C. 
Vibbard and Daniel Drew. Colored lithograph by 
Endicott, New York. 


43 FAMOUS OLD HOTELS AND TAVERNS. Old 

_ Gotham Inn, Fraunces Tavern, Bull’s Head, Astor 

C.D, L House, etc. Etchings, signed. Artist proofs by S. 
| Hollyer. (8) 


44 FAST HORSES OF NEW YORK. Scene at Harlem 
Lane. Original sketch by J. Beard. Colored litho- 
7) C.% Y graph by Th. Kelly, New York, 1871. Framed. 


The horses mentioned are Bonner’s Dexter and Gold- 
smith Maid, and Vanderbilt’s Mountain Boy. 


45 FERRY HOUSE, HUNT’S MANSION, North Church, 
, », Bowling Green, Apthorpe Mansian, Old Fulton Ferry, 
nC ‘ 4) ' Y. etc. Etchings. Signed artist proof by S. Hollyer. (12) 


46 FLOATING CHURCH of Our Saviour, for Seamen. Col- 
ne. 4.4 ored lithograph by Endicott, New York, 1844. 


47 FOOT OF BROAD STREET IN 1645. Original etching 
by W. H. Wallace. Framed. 


48 ILLUSTRATIONS OF THE CROTON AQUEDUCT. 
Engraved by J. N. Gimbrede. Small folio in cloth. 
Published by Wiley & Putnam, 1843. 


View of the Harlem River, and High Bridge, and City 
Hall Park. 


shy 


7.6, Y. 


MAGNIFICENT O’CONNELL FUNERAL CAR. 
Passing the Park in New York City on Wednesday, 
Sept. 22nd, 1847. Very scarce lithograph by N. Cur- 


rier. Framed. 


MONUMENTAL ENGRAVING OF DE WITT CLIN- 
TON. Aquatint by J. Hill, after C. P. Harrison. 


O’CONNELL FUNERAL PROCESSION. In the City 
of New York, Sept. 22nd, 1847. Colored lithograph 
by J. Baillie. Very scarce New York item. Framed. 


PIERPONT’S DISTILLERY IN LONG ISLAND. 
Colored lithograph after the drawing by J. Milbert. 
Framed. 


PORTRAIT OF BARTHOLDI with sketch of the Statue 
of Liberty and New York Bay. Original pen and ink 
drawing by F. Desmoulin. 


* ST. PATRICK’S CATHEDRAL, NEW YORK. Two in- 


teriors and one exterior. Etched by Max Rosenthal. 
Signed remarque proofs. Framed. (3) 


SEVENTH REGIMENT. Camp Washington and 23rd 
Regiment, Camp Woodward, near Centennial Grounds, 


July, 1876. Lithograph by Max Rosenthal. (2) 


TALLIS STREET VIEWS. Broadway, New York. City 
Hall in center, Astor House to Warren Stret. En- 
graving. 


* THREE MAPS FROM VALENTINE’S MANUEL. 


1853, ete. 


THALIA THEATRE and Atlantic Garden, Fort Lafayette, 
Washington Market, Old Post Office, ete. Etchings. 
Signed artist proofs by S. Hollyer. (9) 


VAN NESS HOUSE, New York Reservoir, Shot Tower, 
Miller House, etc. Etchings. Signed artist proofs by 
S. Hollyer. (7) 


10 


60 VIEW OF THE GREAT CONFLAGRATION AT NEW 


YORK, JULY 19th, 1845. From corner of Broad and 


?). e. 1). Stone Streets. Colored lithograph by N. Currier, 1845. 


61 


* Framed. 


Good impression of a very rare print. 


VIEW OF NEW YORK from the west. Engraved by 
Neele & Son. 


62* VIEWS OF NEW YORK. Wall Street, etc. Photogra- 


63 


64 


65 


66 


67 


68 


69 


70 


71 


vures. (4.) 


VIEW OF NEW YORK. A view looking down Broadway 
from St. Paul’s. Engraved by Davenport; Published 
in London. [circa, 1835.| 


WALL STREET. Original etching by V. Trowbridge. 
Signed artist proof. 


WALL STREET. Original etching by Chas. M. Mielatz. 
Signed artist proof. 


WASHINGTON GRAYS. Engraved by C. G. Childs. 
Colored. » Framed. 


WINDSOR HOTEL. Early photograph. Composite 
view. Evidently issued by the hotel for advertising 
and shows Grand Central Station a few doors away. 


NEW YORK. Construction work on the Erie Canal. Orig- 
inal water color drawing by John W. Heil. 

Size, 934 x 1334 inches. 

This and the two following lots are not only unique 

historically, but they are executed in the beautiful col- 


ors characteristically employed by Hiel and deserve to be 
placed with the foremost of the American artists. 


NEW YORK. The Mohawk Valley. Original water color 
drawing by John W. Hiel, 1832. Signed and dated. 


Size, 10 x 13% inches. 


NEW YORK. Bridge Near Butter Milk Falls, Albany. 
Original water color drawing by John W. Hiel, 1832. 
Signed. Size, 1314 x 16% inches. 


NEW YORK. Glenn’s Falls: Engraved. Colored by 
J. Hill, after the painting by W. G. Wall 


Tl 


72 


73 


74 


75 


76 


ioe 


78 


79 


80 


81 


82 


NEW YORK. On the Hudson. Original wash drawing 


with sanded surface. 


NEW YORK. View Near Sandy Hill. Engraved. Col- 
ored by J. Hill, after the painting by W. G. Wall. 


NIAGARA FALLS. Engraved) Colored by Hill, after 
the painting by N. J. Bennett. Folio. 


NIAGARA FALLS. Large folio view in colors, by F. E. 
Church. 


NIAGARA FALLS. View of the British Fall, taken from. 
Goat Island. Painted and engraved by W. J. Bennett. 
Colored. Folio. 


NORWICH. View of Norwich, from the south, with a 
view of Norwich Falls, Otis Library and Greenville. 
Colored lithograph by E. C. Kellogg, 1853. 


NORWICH, CONN. Norwich Falls, Norwich Town and 
Greenville. Large colored lithograph by J. Rau, New 
York, after H. Knecht. Framed. 


ARTILLERY CORPS OF PHILADELPHIA GRAYS. 
Lithograph by P. S. Duval, after the sketch by A. 
Hoffy. Published in Philadelphia, 1845. A scarce 
print of the crack regiment of the Pennsylvania militia. 


PHILADELPHIA. Destruction by fire of Pennsylvania 
Hall, on the night of the 17th of May, 1838. Colored 
lithograph. 

Early Philadelphia fire view showing the Southwest 


corner of 6th and Haines Streets where the Pennsylvania 
Hall was located. 


PHILADELPHIA. Rope Ferry, Schuykill. Original 
water color drawing by J. Queen. Framed. 


amas Ferry or the Rope Ferry was first known in 
742, 


PHILADELPHIA. View of the Dam and Water Works: 


at Fairmont. Engraved by R. Camphill, after the 
painting by Thos. Birch. Framed. 


12 


83 


84 


85 


86 


87 


88 


89 


90 


g1 


92 


93 


PLAINVILLE, CONN. View from the southwest. Litho- 


graph by E. B. and E. C. Kellogg, Hartford, Conn. 
Folio. 


PORTLAND. Falmouth Hotel, Middle and Union Street, 
Portland, Maine. Tinted lithograph by Ch. H, Crosby, 
Boston, 1868. Folio. 


PROVIDENCE. From Prospect Terrace, 1877. Colored 
lithograph by J. H. Bufford, Boston. Folio. 


PROVIDENCE, R. I. View from the south, 1849. Tinted 
lithograph by Whitefield & Smith, from a drawing by 
Whitefield. Published in New York, 1846. 


RUINS OF THE GREAT FIRE AT PORTLAND, 
ME, July 4th and 5th, 1866. View from corner of 
Middle and Free Streets. Lithograph by J. H. Buf- 
fard, Boston. Folio. 


SAN FRANCISCO. Plan of Ralph S. Dorr’s Estate. 
Original water color drawing by J. Prendergast, depict- 
ing a busy wharf with shipping and warehouses. Prob- 
ably in the early fifties. 


Beautifully executed. 


SAN FRANCISCO. View of San Francisco, 1854. Col- 
_ored lithograph by Henry Bill, New York, 1857. 


SAN FRANCISCO. Masonic Temple., Tinted lithograph 
by C. C. Kirchel, San Francisco. |circa, 1862.| Large 
folio, linen backed. 


ST. PAUL. City of St. Paul. Capital of Minnesota. Col- 
ored lithograph by P. S. Duval. Mended. Folio. 


VIRGINIA. Viaduct on Cheat River, Little Tunnel near 
Shawsville, View from the Peak of Otter, and View 
from Gambles Hill. Colored lithographs by Rau & 
Son. Published in 1857. (4) 


VIRGINIA. Falling Springs, View from the Peak of 
Otter, Salt Pond, and Bullard Rock. Colored litho- 
graphs by Rau & Son. Published in 1857. (4) 


13 


94 WEST POINT FROM ABOVE WASHINGTON VAL- 
LEY. Engraving, colored by W. J. Bennett, after the 
painting by Geo. Cooke. 


95 WEST POINT, N. Y. Military Academy. Engraver un- 


known but evident a very early view. 


AMERICAN VIEWS BY KOLLNER 
FROM THE ARTIST’S PORTFOLIO 


Kollner’s Views of American Cities are of high standing and in 
this case each item is identified and dated by the artist. 


96 PHILADELPHIA. Album containing fifty-three original 
pencil sketches, colored from nature, of Fairmont Park, 
from 1841 to 1880. Small folio, in green cloth. 


97 PHILADELPHIA. Wharf scenes on the Schuykill River 
and river boat night scenes. Original water color 
drawings, Signed and dated 1842. (4) 

Size, 814 x 12 inches. 


98 PHILADELPHIA. Broad Street 1845, Arch Street 
Wharf, Vine Street Wharf, Petty’s Island and Others. 
Original wash drawings. Signed and dated 1843 and 
1845. (15) Size, 714 x 9 inches, and smaller. 


99 PHILADELPHIA. Jefferson and 32nd Streets, Oxford 
and 30th Streets, Anglers on Darby Creek and two 
Others. Original water color drawings. Signed and 
dated 1862. (5) Size, 114 x 15 inches, and smaller. 


100 BORDENTOWN, N. J. Estate of Joseph Bonaparte. 
Original water color drawings, August, 1880. Signed 
and dated. (2) Size, 1114 x 1334 inches. 


101 CAMDEN. Ship building and views. Original water 
color and wash drawings. Signed and dated 1846. (4) 


102 HARPER’S FERRY, VA. Views above and below and at 
Harper’s Ferry. Original wash drawings. Signed and 
dated 1843. (5) Size, 9 x 11% inches, and smaller. 


14 


103 


104 


105 


106 


107 


108 


109 


110 


111 


HARPER’S FERRY, VA. From the Eastside, Jefferson 
Rock, Baltimore & Cumberland R. R., and Potomac 
River. Original wash drawings. Signed and dated 
1843, and identified by the artist. (4) 


Size, 9 x 11% inches. 


PENNSYLVANIA. Canal Basin at Columbia, Canal to 
Pittsburg, Harrisburg, etc. Original wash drawings. 
Dated 1840. (8) Size, 7% x 10 inches, and smaller. 


PENNSYLVANIA. Clark’s Ferry, Susquehanna River, 
Lewistown, Wrightville, and Watertown. Original 
wash color drawings. Dated 1840. (4) 

Size, 744 x 10 inches. 


READING. Industrial works and views in and around 
Reading, Pa. Original wash drawings. Dated 1855. 
(16) Size, 10 x 17 inches, and smaller. 


TRENTON, N. J. Delaware River at Trenton, dated 
1881, and Hammonton, N. J., dated 1858. Original 
water color drawings. (2) Size,12 x 15 inches. 


WASHINGTON CITY. Views on the Potomac River. 
Original wash drawings. Dated 1839. (12) 
Size, 414 x 7% inches. 


WASHINGTON CITY. Capitol Hill, In Washington 
City 1839, East View, Coming to Market. Original 
pen and ink, wash drawing and water color drawings. 


Signed and dated 1839. (19) 


Size, 914 x 13 inches, and smaller. 


AMERICAN ENGRAVER. The Paths of Learning, 
Strewed with Flowers or English Grammar. Ilustrat- 
ed, 1826. Fourteen illustrations. Engraved and col- 
ored in one sheet, uncut. 

Rare. 


AMERICAN LITHOGRAPHS. The Soldier Boy, and 
The Star Spangled Banner. Colored lithographs. 
Currier & Ives, and Kellogg. (2) 


15 


112 


113 


114 


115 


116 


| 


118 


119 


120 


121 


122 


AMERICAN LITHOGRAPHS. Twenty-two humorous 
studies on popular verses and songs by F. T. Vance, 
New York, 1875. (22) 


AMERICAN PORTRAITS 


JOHN QUINCY ADAMS. Sixth President of the 
United States. Lithograph by Bisbee, after Stuart. 
Small folio. 


JOHN QUINCY ADAMS. Line engraving by J. An- 
drews. Published in New York, 1848. 


JOHN J. AUDUBON. Mezzotint by C. Turner, after 
painting by F. Cruiskshank. Published in London, 
1835. 


JOHN CALHOUN and Silas Wright. Lithographs by 
Kellogg, 1844, after silhouettes from life by Wm. 
H. Brown. (2) 


CHARLES CARROLL of Carrollton. Oil portrait by 
Charles Willson Peale. Panel, 91% inches, in old gilt 


frame. 


HENRY CLAY. Engraving by W. Warner, after the 
painting by J. Nagle. Published in Philadelphia, 1844. 


GEORGE M. DALLAS, Vice-President of the United 
States. Three colored lithographs by J. Baillie and 
N. Currier, 1845. (3) 


ROSEWELL P. FLOWER, Etching. Signed artist 
proof by James S. King. 


JOHN FORSYTH, Henry Alexander Wise and Wood- 
bury. Lithographs by Kellogg, 1844. After silhouettes 
from life by Wm. H. Brown. (3) 


BENJAMIN FRANKLIN. Mezzotint by Max Rosen- — 
thal, after Charles Willson Peale. Signed proof. 


16 


123 


124 


125 


126 


127 


128 


129 


130 


131 


132 


133 


134 


JAMES A. GARFIELD. Engraving. Signed artist proof 
by H. B. Hall, Jr., with autograph of Garfield. 


GENERAL GRANT. Line engraving by Wm. Edgar 
Marshall. Signed artist proof. 


HON. JOHN HANCOCK. Of Boston in New England, 
President of the American Congress. Mezzotint pub- 
lished by C. Shepherd, London, 1775. 


Brilliant impression. 


HON. SIR WM. HOWE. Knight of the Bath and Com- 
mander in Chief of His Majesty’s Forces in America. 
Mezzotint by Corbutt. Published in London, 1777, by 
John Morris, 


Very fine impression. 


WASHINGTON IRVING. Engraving by Paul Leprix, 
after the painting by W. H. Powell. Proof. Folio. 


ANDREW JACKSON. President of the United States. 
Lithograph by A. Newsman. Published in Philadel- 
phia, 1834. 


ANDREW JACKSON, and Chief Justice Marshall. Line 
engravings by W. L. Ormsby. (2) 


THOMAS JEFFERSON. Original etching. Signed 
artist proof by Jacques Reich. 


THOMAS JEFFERSON. President des Etats unis de 
YAmerique au 1801. Stipple engraving by Aug. 


Desnoyers. 
Fine impression. 


GENERAL LAFAYETTE. Engraving by Boutran, aft- 
er Meyer. 


ABRAHAM LINCOLN. Original etching by James S. 
King. Signed artist proof. 


ABRAHAM LINCOLN. Engraving by Wm. Edgar 
Marshall. 


REV. W; W. PHILIPS. Line engravnig by Wm. B. 
Smith. 


1/7 


136 


137 


138 


139 


140 


141 


142 


143 


144 


REV. CHARLES CONSTANTINE PISE, D.D. En- 
graving by S. H. Gimleer, New York, 1840. 


POLK AND DALLAS. Grand National Democratic 
Banner. Colored lithographs by N. Currier, 1844. 
(2) Not alike. 


PORTRAIT GALLERY of Eminent Men and Women of 
Europe and America with Biographies by E. A. Duy- 
ckinck. Forty original parts as issued in paper wrap- 
pers. Published by Johnson, Fry & Co., New York, 
1872. 


Good clean set. 


REV, JOHN POWER. Vicar General of the Diocese of 
New York. Engraved by S. H. Gimleer. Published 
in New York, 1839. 


PRESIDENT ROOSEVELT, Thomas Edison and Mark 
Twain. Tinted lithographs by Wm. Nicholson. (3) 


RT. REV. SAMUEL SEABURY: By W. E. Aldin. 
Proof. 


DANIEL WEBSTER. Colored lithograph by Lassalle. 
Published by Goupil. 


AMERICANA 


AMERICA. To Those Who Wish to Sheathe the Des- 
olating Sword of War, etc. Stipple engraving by 
Joseph Strutt, after the painting by R. E. Pine. Pub- 

lished in London, 1781. 


AMERICAN METHODISTS proceeding to their Camp 
Meeting. Aquatint in color by M. Dubourg, after J. 
Millert. Published in 1819.: (2) 


Rare. 


145* BATTLE OF BUNKER HILL. Near Boston, June 17th, 


1775. Engraved by J. G. Muller, painted by John 
Trumbull. Nice old impression. Framed. 


18 


146 


147 


148 


149 


151 


152 


BATTLE OF LEXINGTON. Engraving by C. Tiebout, 


after E. Tisdale. Published in New York, 1798. Col- 
ored. Framed. 
Rare. 


BATTLE OF QUEENSTON, October 13th, 1813, which 
ended in a complete victory on the part of the British, 
etc. Engraving colored by TT. Sutherland. Drawn 
by Major Dennis. Published in London, 1836. 
Framed. 


CARICATURE. A Disloyal British Subject. Lithograph 
by Currier & Ives. 


CIVIL WAR. Alpha and Omega. Lithograph by M. F. 
Cochen, 1887. 


CIVIL WAR. Cavalry Charge, Scouting Party, Await- 
ing the Attack. Etchings by E. Forbes. Vividly 
depicted after the artist’s own studies. (3) 


CIVIL WAR. Maj-Gen’l. Ambrose E. Burnside at the 
Battle of Fredericksburg, Va. Colored lithograph by 
Currier & Ives, New York, 1863. Framed. 


CIVIL WAR. Maryland Guard Gallop. Colored. litho- 
graph by Hoen, 1861, and Army of the Potomac. Col- 
ored lithograph by Firth, Pond & Co., 1862. (2) 


153” DEATH OF GENERAL MONTGOMERY AT QUE- 


154 


BEC. Engraving by J. F. Clemens, after John Trum- 
bull. Rare open letter proof. Framed. 


DEATH OF GEORGE THIPLER IN KENSINGTON, 
May 6th, 1844. Colored lithograph by J. L. Magee, 
Philadelphia. 


155* GENERAL MARION AND BRITISH OFFICER. En- 


graving by Sartain. 
MT. VERNON IN THE OLDEN TIMES. Engraving 
by H. B. Hall. 


THE DEATH OF GENERAL MONTGOMERY. En- 
graving by Clemens, after Trumbull. Cut down. 


Framed. (3) 


19 


159 


160 


161 


162 


163 


164 


165 


166 


DECLARATION OF INDEPENDENCE. Engraving 
by H. S. Sadd, after Trumbull. 


HEROIC DEATH OF WALTER KENNEDY, Serg- 
eant-Major, 7th U. S. Cavalry. Artist’s presentation 
copy of photograph from the original painting by James 
E. Taylor. The Arkansas Traveler with a story of 
Colonel Sandy Faulkner the original Arkansas Travel- 
er and photos and portrait published by J. F. Bone 
Hot Springs, Ark. (2) 


INDIANS. Painting of Chief, Squaw, and Warrior, by 
G. N. W. Bryant, 1848. Keo kuk Chief of the Sacs 
and Foxes, by I. T. Bowen, Philadelphia, 1838. (2) 


LADY HARRIET ACKLAND. Drawn and engraved by 
Robt. Pollard. Aquatint by F. Jukes, London, 1784. 


A very fine impression with margin. 


MEXICAN WAR. Battle of Buena Vista and the Flight 
of the Mexican Army. Colored lithograph by N. Cur- 
rier, 1847. (2) 


Battle of Cerro Gordo and Storming of Chapul- 
tepec, Guitwar’s Attack. Colored lithograph by Bayot, 
after C. Nebel. (2) 


—— Battle of Cerro Gordo and the Flight of Santa 
Anna on a Mule. Colored lithograph by T. S. Husted, 
1847. (2) 


— Battle of Monterey and the Storming of the 
Heights of Cerro Gordo. Colored lithograph by N. 
Currier, 1846 and 1847. (2) 


— Battle of Palo Alto and Battle of Buena Vista. 
Colored lithograph by Bayot, after C. Nebel. (2) 


—— General Taylor Never Surrenders, and The Gallant 
Charge of the Kentucky Cavalry Under Colonel Marsh- 
all. Colored lithograph by N. Currier, 1847. (2) 


—— Storming of Chapultepec. Pillow’s Attack and 
General Scott’s Entrance Into Mexico. Colored lith- 
ograph by Bayot, after C., Nebel. (2) 


20 


167 MARION CROSSING THE PEDEE. Line engraving 
by C. Burt. Proof. Published in New York, 1852. 


168 MURDER OF MISS McCREA and Peter Francisco’s 
Gallant Action with Nine of Tarleton’s Cavalry in 
Sight of a Troop of Four Hundred Men. Lithographs. 
(3) 


169 PATRICK HENRY DELIVERING HIS CELEBRAT- 
ED SPEECH in the House of Burgesses, Virginia, 
1765. Engraving by Alfred Jones, after the painting 
by Rothermel. Framed. 


170 PENN’S TREATY WITH THE INDIANS. Guillaume 
Penn Traite Avec Les Indiens. Engraving by D—, 
after Benj. West. 


171 POLITICAL CARICATURES. The Military Ring, 
Splitting the Party, John Bull Makes a Discovery. 
Lithographs by Currier & Ives. (3) 


172 SHAKERS NEAR LEBANON. Lithograph aE Pendle- 
tons, New York. Framed. 


173 °76. Engraving by J. C. McRae, after the painting by 
Alonzo Chappel. Published in New York, 1860. 


174 SKETCH OF THE BATTLE OF HOBKIRK’S HILL, 
near Camden, on the 25th of April, 1781. Drawn by 
C. Vallancey, Captain of the Volunteers of Ireland. 
Engraving, 1794. 


175* SURRENDER OF CORNWALLIS AT YORKTOWN, 
OCT. 1791. By Monthare. In colors, Sky cut off. 
Framed. 


176 THE DEPARTURE. S. W. Prentice of the 84th Regi- 
ment shipwrecked in the winter of 1781, with dis- 
patches to Sir Henry Clinton at New York. Engraved 
by Robt. Pollard. Published in London, 1784. Folio. 


177 WAR OF 1812. First View of the Battle of Patapsco 
Neck, Sept. 12th, 1814. Engraving, colored. Framed. 


178 WAR OF 1812. Battle of New Orleans, Fought Jan. 
8th, 1815. Colored lithograph by N. Currier, New 
York, 1842. Framed. 


Zi 


180 ARCHITECTURE. Album containing  eighty-three 
photographs, both interior and exterior of Spanish and 
Oriental Cathedral, Temples, etc. Bound in red cloth, 
small folio. Sizes, mostly 8 x 10 and 10 x 18 inches. 


181 ATLANTIC CABLE. The Ocean Telegraph March and 
Atlantic Telegraph Schottisch. Music sheets with 


views and portrait. Lithographs by Firth, Pond & Co., 
1858. (2) 


AVIATION 


182 AERIAL STEAM SHIP AMERICA (patented.) At 
Blackman, Nashville, Tenn. Containing plates 1 to 9 
original plans by the Inventor, with same reproduced 
in print. A large folding map of North America and 
of the World. Twenty-three lithograph views, etc. 
and at the end a folio folding map on linen of the 
United States. Bound in folio red cloth. 


The volume was no doubt the inventor Blackman’s 
personal file as would be indicated by its containing the 
original pen and ink plans. The series of Lithographs, 
some in color, are very interesting. The inventor has 
had air ships printed in at vantage points on the litho- 
graph of the battle of Inkermann. AIso in the print of 
the Heroic Defense of Silistria; and the Bombardment of 
Sebastopol, and other battles. He pictures what could 
be accomplished in instances of shipwreck. 


The balance of the lithograph are views of Toulon, 
La Rochelle, Brest, London, Paris, Bern, Lucerne, Mar- 
selles, Port of Brest, Livourne, etc. 


188 AN ALBUM CONTAINING SIXTY-EIGHT EN- 
GRAVINGS, etchings and original water color draw- 
ings, views, etc. of early Balloons and Airships, and 
portraits of Aeronauts. Folio and smaller. 2 


Partial list of Contents:—Portrait of Vincenzo Lunardi 
Lucchese stipple by Burke. Charles Green by G. P. Hard- 
ing. Luigi Piana. The American War Balloon of 1863. 
Destruction of the Victoria and Albert Baloon. Engrav- 
ing Colored of the First Carriage, the “Ariel.” Water 
Color of Mr. Arnold’s Balloon 1785, descending at Buxt- 
worth Church. Total Destruction of the Great Mon- 
golfier Balloon. Ascension of P. Cornillot, 1825. Chart 
in Colors, containing the history of Balloons with twelve 
illustrations. The ascension of Mr. Graham at the open- 
ing of the Hungerford Market. Original water color; 
1827 of the falling of Mr. Cocking. Play bill of Royal 
Gardens announcing the “Ascent of the Great Nassau 
Balloon.’ View of the Balloon of Mr. Sadler. Garnerin’s 
“Wonderful descent by a Parachute, at London, 1802. The 
Great Balloon in its aerial voyage to Germany, original 
water color by Somers. 


A most interesting Collection. 


ie 


; ue eee 
RATS ay Pes ae Lite Chute 


oF 


ee er eee Bie 22° 


MEZZOTINT BY W. WARD, LonpDon 1787 


[NUMBER 184] 


184 


185 


186 


187 


188 


189 


190 


191 


192 


PRESERVATION OF SIR RICHARD MacGUIRE, 
who fell into the sea (by the descent of a Balloon off 
the Coast of Ireland, May, 1785.) Mezzotint by W. 
Ward. Published in London, 1787. 

A very rare print of Ballooning. 


[See Illustration | 


SIEGE DE LA COLONNE DE POMPEI. Science in 
the Pillory. Colored etching by J, Gillray. Published 
in London, 1799. 


A contemporary print depicting balloons and other 
flying contrivances. 


TABLEAU D’AVIATION. Colored lithograph by E. 
Dieuaide, Paris. |[circa, 1860.| 
A most interesting chart of fifty-three types of Aero- 


planes, each catalogued and attributed to the various 
inventors. - 


FANCY FAIR, Princes Park, Liverpool, August, 1849. 
Colored lithograph by John R. Isaac. Folio. 


THOMAS BIRCH 


Marine, Landscape and Sporting. Original wash color 
drawings. (4) 
From the Collection of the Artist. 


Marines and Landscapes. Original water color and wash 
drawings. (4) 
From the Collection of the Artist. 


BRITISH ADMIRALS. Britannia Viewing the Con- 
querors of the Seas. Engraving by P. Roberts. Pub- 
lished in London, 1800. 


Portraits of Vincent, Duncan, Nelson, Mitchell and 
others. 


CANADA. A perspective View of Montreal and a View 
of the City of Quebec. Old engravings. (2) 


——— The Lower City of Quebec, from the Parapet of 
the Upper City. Aquatint by C. Hunt. Published in 
London, 1833, Framed. 


23 


193 CHINA. View of the water front at Hong Kong with the 
American, French, English and other Consulate build- 
ings. Oil painting. Size, 18 x 23% inches, in original 
frame. 


194 COLORED AQUATINTS. Bow Street Office and New 
Gate. Colored aquatint by Hill & Stadler, after Row- 
landson: Published in London, 1809. (2) 


195 -—— New Covent Garden Theatre and Opera House. ~ 
Colored aquatint by J. Bluck, after Rowlandson. Pub- 
lished in London, 1809. (2) 


24 


SECOND SESSION 


WEDNESDAY NIGHT, MARCH 27, 1918, AT 8:15 O'CLOCK 


196* 


197* 


198* 


199* 


200* 
201* 
202* 


203* 


204* 


Lots 196—407 


COLORED PRINTS 


DIPPING WELL IN HYDE PARK. Stipple engrav- 
ing by J. Godby, after Wheatly. Printed in colors. 
Rare. Framed. 


RUSTIC SYMPATHY. Mezzotint by G. Keating, after 
Wheatly. Colored. Framed. Companion to foregoing. 


PORTRAIT OF ROBERT BURNS; Mezzotint by John 
Zeitter, after A. Naisnnyth. Open letter proof, printed 
in colors. Very rare. Framed. 


RUSTIC BENEVOLENCE. Mezzotint by G. Keating, 
after Wheatly. Colored. Framed. 


SCENE FROM SHAKESPEARE, KING RICHARD 
THE II. Engraved by R. Smith, after M. Brown. 
Open letter proof, colored. Framed. 


THE DESERTED VILLAGE} Stipple engraving, by 
F. Bartolozzi, after F. Wheatly. Printed in colors. 
Fine condition. Framed. 


A VISIT TO THE CHILD AT NURSE AND A SAIL- 
OR’S CONVERSATION. Engravings by Ward, aft- 
er Morland. Colored reproductions. (2) 


THE POULTRY MARKET. Engraved and painted by 


James Ward. Reproduction in colors. Framed. 


MRS. SARAH CHICHELEY. Mezzotint by I. Smith, 
after Kneller. Colored. Framed. 


THE HONORABLE MISS BINGHAM. Engraved by 
Bartolozzi, after Sir J. Reynolds. In colors. Framed. 


25 


205 


206 


207 


208 


209 


210 


212 


213 


214 


THE SOLILOQUY. Engraving by W. Ward. Publish- 
ed in London, 1787. 


A VIEW OF THE OLD AND NEW LONDON 
BRIDGES previous to the demolition of the old struc- 


ture in 1832. Colored aquatint from the drawing by 
William Knight. 


CROMWELL (OLIVER). Mezzotint by R. Sayer, aft- “ 
er R. Walker. Framed. 


DOGS. Terriers and Toys. A complete set by Maud 
Earl. Signed proofs. In green cloth portfolio. (25) 


Good clean set. 


DRAMATIC. In Memorium. Sheet of portraits with 
fac-simile signatures of Booth, Drew, Forrest, Hackett, 
etc. Lithograph by H. A. Thomas, 1878. 


ENGLISH AQUATINTS. Exterior of the Garden Wall 
of Chateau Gomont, and Waterloo Church as seen from 
the Wood of Soigne. Engraved by R: Reeve, 1816. 
(2) . 


ENGLISH CATHEDRALS. Church of White Church 
and North Prospect of the Cathedral of Rochester. 
Engraving by A. Johnston. 


— Lincoln, Church of the Holy Trinity, ete. Litho- 
graphs. (5) 


ENGLISH VIEWS. Procession of Queen Elizabeth at 
the High Cross, Broad Street with the Mayor riding 
by the side of the Queen bareheaded and one other 
colored lithograph by Pocock. (3) 


—— Worcester Cathedral, Wellington College and Os- 
borne Varior. Engravings. (3) 


ENGRAVINGS 


215* LORD DARNLEY AND FAMILY. Engraving by G. 


Vertue. Rare. Framed. 


26 


216" 


cS ge 


218* 


219* 


220* 


221* 


222* 


223* 


224" 


225* 


MENAGERE HOLLANDAISE. After G. Dow. Proof 
engravings. (2) 


MOURNING FOR HIS MASTER. By Lucas, after 
Landseer. Framed. 


DEER STALKERS. By Finden, after Landseer. 
Framed. 


ANN PAGE AND SLENDER. By Bacon. Framed. (3) 


MRS. SIDDONS IN THE TRIAL OF QUEEN KATH- 
ERINE. Engraving by Charles Flint, after Harlow. 
Open letter proof. Framed. 


PORTRAITS OF THE DUKE OF LEINSTER AND 
HENRY GRATTAN. Engraving in mezzotint by C. 


H. Hodge, after a painting by C. G. Stuart. Early 
states. Framed. (2) 


PORTRAIT OF MRS. SIDDONS IN THE CHAR- 
ACTER OF THE TRAGIC MUSE. Engraving by 
F. Haward, after Sir J. Reynolds. Late impressions. 
Framed. 


SIR ROGER DE COVERLY GOING TO CHURCH. 
Engraving by H. Meyer, after C. R. Leslie. 


RETURN FROM MARKET. Engraving by John Sar- 
tain. (2) 


SNAP APPLE NIGHT OR ALL HALLOW EVE. En- 
graving by James Scott. Framed. 


THE CAT. Engraving by C, Visscher. Fine old impres- 
sion. Rare. Framed. 


THE NATIVITY. Engraving by Marinet, after Mur- 


rillo. Framed. 


ST. AMELIE. By Mercury, after Paul Dearoche. Dam- 
aged in margin. Framed. (2) 


VIEW OF THE VATICAN, ROME. Engraving by G. 


Vasi, 1765. Fine impression; Framed. 


27 


226* 


207% 


228 


230* 


231* 


232* 


233* 


234 


235* 


236* 


ANGER OF ACHILLES FOR THE LOSS OF 
BRISEIS. Engraving by Cunego, after Hamilton. 


SIR ROGER DE COVERLY GOING TO CHURCH. 
Engraving by H. Meyer, after C. R. Leslie. Framed. 


(2) 


BRITTANY SHEEP AND MORNING IN THE 
HIGHLANDS. The latter colored. Engraved by 
Lewis and Zobel, after Rosa Bonheur, Framed. (2) 


CHARTRES CATHEDRAL. Engraved by J. Egan, aft- 
er S. Prout, 1836. Very rare. Framed. 


THE CRUCIFIXION. Engraving by Withbouc, after 


Rubens. Fine old impression. Framed. 


DEATH OF HECTOR. Engraving by A. Ricciani, after 


Benvenuti Aretunis. Line engraving. Framed. 


DEFEAT OF THE ARMY OF THE PRINCE OF 
ORANGE AT MOUNT CASTLE. By the Army of 
the King under command of the Duke of Orleans, 1677. 
Engraved by R. Bonnert, after F. Vander Meulen. 
Very rare and fine impression. Framed. 


LIFE OF MARY STUART. Engraving by Beaudran, 
after Chasselat. Framed. (4) 


FAMILY CARES. Engraving by Albert Lucas, after 
Barnes. 


LADY GODIVA. Framed. (2) 


EPISCOPAL BISHOPS. House of Bishops of the 
United States, 1859. Lithographs by M. Rosenthal, 
Philadelphia, 1861. Large folio with key. (2) 


ETCHINGS 


CHRIST BEFORE PILATE. Etching by Charles Walt- 
ner, after Munkacsy. Artist proof, signed. Framed. 


ETCHING AND THREE ENGRAVINGS. Sir Walter 
Scott, etc. Cupids by Bartolozzi, the etching by 
Gaujean. Framed. (4) 


28 


237* FERRATO BRIDGE, ROME. Etching by G. B. Pira- 


nesi. Old impression. Framed. 


238* FIRST COMMUNION, BRITTANY. Etching by 
Hamilton Hamilton, after Jules Breton. Remarque 
proof on parchment. Signed. Framed. 


239* HARVESTERS. Etching by L. Kratke. Remarque proof 
on parchment. Signed. Framed. 


240* HIS HOLINESS LEO XIII. Etching by Charles 
Courtry. Framed. 


241* LABOR. Etching by Victor Focillon, after J. F. Millet. 
Remarque proof on parchment. Scarce. Framed. 


242* LANDSCAPE. Etching by Robert A. Eichelberger, after 
G. Inness. Remarque proof on parchment. Signed 
by G. Inness and the etcher. Framed. 


243* LA VANNEUSE. Etched by Leon Dautrey, after J. 


Breton. Signed remarque proof on parchment. Scarce. 
Framed. 


244* MOUNT ST. MICHEL. Original etching by A. Delau- 
eny. Remarque proof, signed. 


245* SUNSET IN IRELAND. Drawn and etched by Seymour 
Haden. Harrington 51. Second state of this etcher’s 
most important plate. Very rare. Framed. 


246* VIEW OF THE PANTHEON. Etching by G. B. 


Piranesi. Fine old impression. Framed. 


247* WAYSIDE INN. Etched by P. Leterrier, after Morland. 
Remarque proof on parchment. Signed. Framed. 


248 GUADELOUPE. An East, West and North View of 
Fort Royal in the Island of Guadeloupe in 1759. 
Engraved by Mazell, Benazech and Grignion. Pub- 
lished in London (1760). Folio. (3) 


29 


249 


250 


252 


253 


254 . 


255 


256 


257 


258 


GIBRALTAR, View of Gibraltar, taken by Henry 
Aston Barker, from the Devil’s Tongue Battery. En- 


graving by J. B. Harraden. Published in 1806. 
Folio. 


HAVANA. View of the Market Place, Harbor, Fran- 
ciscan Church, etc. Engraving by Edward Rooker. 
Published in London (1760). Folio. (5) 


Very fine early views, nicely executed. 


HELGOLAND. View of, from Sandy Island. Engray- 
ing by R. and D. Havell. Colored. Folio. 


HUMOROUS LITHOGRAPHS. Blue Monday, Victory 
Doubtfully, and Black Duck Shooting. Colored lith- 
ographs by Currier & Ives. (3) 


INDIA. Scene upon the Eastern Road from Rangoon, 
looking towards the south. Colored aquatint by G. 
Hunt. Published in London, 1825. Folio. 


View of the Lake and Eastern Road from Rangoon, 
taken from the Advance of the 7th, Madras Native In- 
fantry. Colored aquatint. Engraved by H. Pyall. 
Published in London, 1825. Folio. 


INDIANS. Chief Athabaliba and Muteczuma. Two old 


engraved portraits. 


IRELAND 


DANIEL O'CONNELL, Champion of Liberty. Litho- 
graph by J. H. Buffards, 1858. Framed. 


Scarce portrait. 


DANIEL O’CONNELL, the Champion of Freedom. 


Mezzotint. Engraved by J. R. Smith. Published in 
Philadelphia, 1837. 


THE GRAND PROCESSION in Honor of the Fenian 
Exiles. New York City, Feb. 9th, 1871. Lithograph. 
Haasis & Lubrecht. 


30 


259 


260 


261 


262 


264" 


265* 


266 


267 


268 


ISLE OF STAFFA; Fingal. Colored aquatint by C. 
Horny. Folio. 


Beautiful old print of this picturesque island. 


RESTORATION OF IRELAND’S INDEPENDENCE. 
Colored lithograph by Lindsay. The Scenery of Ire- 


land, Upper Lake Killarney. Colored lithograph by 
Currier & Ives. (2) 


ROBERT EMMET, on Trial. Colored lithograph by 
Currier & Ives. 


SPEECH OF ROBERT EMMET, Esgq., delivered at the 
Sessions House, Dublin, on the 19th of September, 
1803. Colored lithograph. Folio. 


At the top, Memorial with portrait of Emmet, follow- 
ed by his speech before Lord Norbury. 


DANIEL O'CONNELL. The Great Irish Liberator and 
Champion of Catholic Emancipation. Scarce colored 
lithograph by Currier & Ives, New York. Framed. 


INSTALLATION DINNER AT THE INSTITUTE 
OF THE MOST ILLUSTRIOUS ORDER OF 
ST. PATRICK. In St. Patrick’s Hall within the 
Castle of Dublin, March, 1783. Painted and engraved 
by J. K. Sherwin and finished by others since his de- 
cease. Very scarce. 


DANIEL O’CONNELL’S SPEECH IN THE HOUSE 
OF COMMONS. Photograph after a drawing. 
Framed. 


LEGAL. Chief Justice Lord Russell. In colors by Gilbo 
& Co. 


LIVERPOOL. Panoramic View of Liverpool. Aquatint 
in colors by Havell, after the drawing by G. Tytler. 
Published in London, 1825. Framed. 

This is one of the largest of the Havell views, and is 


delightfully picturesque, showing the harbor scene with 
the old ships and docks. Joined in centre; very rare. 


MATHER (COTTON). Mezzotint portrait by P. Pel- 
ham. Colored. Framed. 


31 


MEZZOTINTS 


269* CHRIST AND THE TRIBUTE MONEY. Mezzotint 
by James McArdell, after Rembrandt. Fine impres- 
sion. Suitably framed. 


270" HANNIBAL SWEARING ENMITY TO THE RO- 
MANS and Regulus Returning to Carthage. Mezzo- 
tints by Valentine Green, after Benj. West. Framed. 


(2) 


271* JOSEPH AND JOHN GULSTON. Mezzotint by Val- 
entine Green, after Cotes. Fold in left hand corner. 


GIPSIES. Engraving by William Ward, after Mose 
Late impression. Framed. (2) 


272* POPE PIUS THE VII. Mezzotint by Samuel Cousins, 


after Sir Thomas Lawrence. Good impression. 


273* MISS O’NEIL IN THE CHARACTER OF BEL- 
VIDERA. Mezzotint by H. Meyer, after A. W, Evis. 
Open letter proof. Framed, 


274" WILLIAM PITT, EARL OF CHATHAM. Mezzotint 
by E. Fisher, after Richard Brompton. Under the 
picture is written, “It is doing nothing to repeal a 
few Scraps of paper or Pieces of parchment call Acts 
of Parliment. But our Business is to repeal the Ill 
Will and the Animosity, unfortunately now subsisting 
between Great Britain and North America.” Framed. 


275* STILL LIFE. Water color by W. Cruickshank, 1859. 


Framed. 


276* TYRONE POWER. Mezzotint by C. Turner, after John 


Simpson. Early impression, rare. Framed. 


277* A WINTER’S TALE. Mezzotint by V. Green, after 


Opie. Fine old impression. Framed. 


278 MOSCOW. View of the City of Moscow. Colored. 
Aquatint by R. Bowyer, London, 1815. 


Fine impression. 


32 


280 


281 


282 


283 


284 


285 


286 


287 


288 


MORLAND (GEORGE.) Drawing Books arranged for 
the instruction of the pupil. Engraved after the 
sketches by George Morland. No. 1 and 2 in original 
blue paper wrappers. Published by R. Reeve, London, 
1806. (2) 


NAPOLEON. Bataille de Wagram, and Bataille D’Esling. 
Colored engravings. (2) 


—— The Emperor and Empress Before the Altar. En- 
graving, colored. 


— Jerome Napoleon. Proof engraving by I. L. 
Potrelle and M. Gudin, after a sketch by Madame 
Kruson, 1813. 

Full length standing portrait. 


Meeting of Napoleon and the Emperor of Austria 
after the Battle of Austerlitz. Engraving, colored. 
Published in Paris. 


Marriage of Marie Louise and Empereur Napoleon 
and Ceremony of the Marriage. Pair of engravings, 
colored. (2) 


—— Napoleon I, Emperor of France and King of 
Italy. Colored engraving by J. Chapman. Published 
in 1806. 


NAVAL 


ADMIRAL NELSON DEFEATING THE FRENCH 
FLEET under Admiral Brueys, Aug. Ist, 1798, in the 
Mouth of the Nile. Published in London, 1798. 


Quaint old engraving with key and chart of the action. 


AN EXPLORING EXPEDITION IN THE CANAL 
STREET PLAN: The exploring expedition at the 
South Pole waiting for stores. Lithograph by H. R. 
Robinson, New York. 


Rare American caricature of about 1830. 


BLOWING UP OF THE FIRESHIP INTREPID in 
the Harbor of Tripoli, Sept. 4th, 1804. Engraving, 
colored. Framed. 


oS 


289 


290 


291 


292 


293 


294 


295 


296 


297 


298 


BOARDING AND TAKING THE AMERICAN SHIP 
CHESAPEAKE by the crew of H. M. Ship Shannon. 
Aquatint in color, by M. Dubourg. Published in Lon- 
don, 1816. 


BRILLIANT NAVAL VICTORY. Constitution and 
Guerriere. Engraving, colored by S. Seymour. 
Framed. | 


BURNING OF THE FRIGATE PHILADELPHIA in 
the Harbor of Tripoli. Original painting. Framed. 
Size, 18 x 24 inches. 


An interesting canvas of this historic event. 


CAPTURE OF H. B. M. FRIGATE MACEDONIAN 
by the Frigate United States. Engraving, colored by 
S. Seymour, after the painting by J. J. Barralett. 
Framed. 


CAPTURE OF H. B. M. FRIGATE MACEDONIAN 
by the U. S. Frigate United States. Engraving by B. 
Turner, after Birch. Very fine impression but torn 
and repaired. 


CAPTURE OF H. B. M. SLOOP OF WAR FROLIC by 
U. S. Sloop of War Wasp, Capt. Jones. Engraving, 
colored by S. Seymour, after the painting by J. J. 
Barralett. Framed. 


COMMODORE FARRAGUT. Etching. Signed artist 
proof on parchment, by Jas. Fagan. 


CONSTITUTION WITH GUERRIERE in distance. 
Colored by Gilbo, after the painting by W. A. K. 
Martin. Proof. 


CONSTITUTION AND THE GUERRIERE. En- 
graving by ‘Tiebout, after Birch. Old impression. 
Torn and repaired. 


FAIRBURN’S PLAN OF LORD NELSON’S VICTORY 
over the Combined Fleet, off Trafalgar, Oct. 21st, 1805. 
Published in London, 1805. Folio. 


A view of the Battle in Colors, Chart of Trafalgar, 
Plan of Attack and List of the vessels engaged. 


34 


299 


300 


301 


302 


303 


304 


305 


306 


H. M. S. MEDITATION OF FORTY-FOUR GUNS, 
attacked by the French Ships Menagere, L’Eugene 
and Dauphin Royal and the American Ships Alexander 
and a Brig, December, 1782. Eugraving, colored by 
R. Pollard, after the painting by D. Serres, R.A. Pub- 
lished in London, 1784. Framed. (3) 


A rare set. 


LA BAYONNOISE. French Corvette of twenty-four 
Guns boarding the English Frigate Ambuscade of 
twenty-six Guns on Dec. 29th, 1799. Engraving, col- 
ored by Y. le Gouaz. Published in Paris. [circa, 
1800. | 


LANDING OF THE AMERICAN FORCES UNDER 
GENERAL SCOTT, at Vera Cruz, March 9th, 1847. 
Colored lithograph by N. Currier, 1847. Framed. 


LE COMBAT NAVAL. Gloire Americaine. Constitu- 
tion and Java. Colored aquatint by Coqueret. Folio. 


NAVAL BOMBARDMENT OF VERA CRUZ, March, 
1847. Colored lithograph by N. Currier, 1847. 
Framed. 


QUEBEC AND THE SURVEILLANTE. The Quebec, 
although the victor of an engagement lasting three 
hours and a half, on Oct. 6th, 1779, was blown up by 
her own sails falling on deck. Engraving, colored by 
Fittler & Lerpiniere. Published by Boydell, 1780. 
Framed. 


RIO DE JANEIRO. The Harbor with Spanish and 
American Frigates. Colored lithograph by Martinet, 
Rio de Janeiro. 


THE BRITISH QUEEN. Colored lithograph by H. R. 
Robinson, New York (1834). 


306a THE RAMILLIES WATER LOGG’D with her Admiral 


and Crew Quitting the Wreck. Set of three aquatints, 
in color, by F. Jukes, after R. Dodd. London, pub- 
lished, 1795. Plate No. 1, A Storm Coming On. Plate 
No. 2, The Storm Increas’d. Plate No. 3, The 
Ramillies Water Logg’d with her Admiral and Crew 
Quitting the Wreck. (3) 

The Ramillies was Commanded by Capt. Thos. Hardy, 


who fought in the Battle of the Nile. The wreck depicted 
here occured at Garder’s Bay, L. I. A very rare set. 


35 


307 


308 


309 


312 


313 


314 


DEATH OF CAPTAIN JAMES LAWRENCE on board 
the Chesapeake, June Ist, 1813. Engraving by R. 
Rawdin. Published in Cheshire, Conn., 1814. 

One of the scarcest American naval prints. 


[See Frontispiece | 


GREAT NAVAL VICTORY in Mobile Bay, Aug. 5th, 
1864. Colored lithograph by Currier & Ives. 


PEARL TAKING THE L’ESPERANCE. Engraving 
by John Peltro, after the painting by Robt. Dode. 
Published in London, 1782. 


SPRIGS OF LAUREL. Perry’s Victory. Constitution 
and Guerriere; Wasp and Frolic. United States and 
Macedonian; Constitution and Java. Hornet Blockad- 
ing Bonne Citoyenne; Sinking of the Peacock Enter- 
prise and Boxer; Peacock and L’Epervier. Drawn 
and engraved by W. Strickland, Philadelphia. Pub- 
lished by John Kneass, 125 Market St. Price three 
Dols. Aquatint, colored, folio. Fine condition; slight 
tear on the left, mended. Unknown to Stauffer and of 
the greatest scarcity. 


SQUALL OF CAPE HORN. Colored lithograph. 
[cirea, 1850.] Framed. 
A United States Frigate taking in sail. 


THE UNITED STATES FRIGATE ST. LAWRENCE, 
fifty Guns. Saluting of Osborne, Isle of Wight. Col- 
ored lithograph by Day & Son, London, 1851. 


Very fine impression of this picturesque print. 


U.S. S. CONGRESS, H. M.S. ALFRED in the Harbor 
of Rio de Janeiro. Colored lithograph by Martinet, 
Rio de Janeiro. 


U. S. FRIGATE CONSTITUTION. Colored litho- 
graph by N. Currier (1848). 


Fine impression. 


U. S. SHIP INDEPENDENCE. Razee, bearing the 
floral pennant of Com. Charles Stewart, struck by a 
squall, off the coast of America. Colored lithograph 
by Kellogg. 


36 


316 


317 


319 


320 


321 


322 


323 


324 


325 


U. S. S. PURITAN AND U. S, S. CONSTITUTION 


at Rio de Janeiro. Colored lithograph by Martinet, 
Rio de Janeiro. 


U. S. STEAM FRIGATE MISSISSIPPI in the Gulf of 


Mexico, March, 1847. Colored lithograph by N. Cur- 
rier, 1848. 
Rare. 


VAISSEAU A DEUX PONTS AMERICAIN and La 
Armada Naval Mandada por El Comendador Garcia 
De Loaisa. Colored lithographs. (2) 


VIEW OF THE PERILOUS SITUATION OF H. M. 
SHIPS PIQUE, Vesuvius and Zehra, off Mt. Carmel 


in the Bay of Acre. Engraving by C. Hunt. Colored. 
Framed. 


NEW YORK STAGE. Portraits of Edwin Forrest, Julia 
Dean Haynes, James D. Wallack, Edwin Booth, and 
others. Seventy-three engravings inserted in scrap 


book. 


NIGHTINGALE (FLORENCE.) Engraving by W. 
Wellstood, after J. B. Wandesforde, from life on her 


arrival in Scutari. 


OLD MASTERS. Pictures from the Frescos in the 
Campo Santo di Pisa. Engraving by Carlo Lasinio, 
after the Italian masters. Published in Florence. 
Bound in one volume, large folio. 


OLD MASTER. Photographs of the famous paintings, 
mostly in Foreign Galleries, One hundred pieces, 
mostly 7% x 9% inches, bound in red cloth. 


OSTEND. View of the Harbor of Ostend. Line engrav- 
ing by Daudet. Published in 1784. 


PANAMA. City of Panama, from Cerro de los Bucca- 
neeros. ‘Tinted lithograph by Endicott & Co., 1858. 


37 


326 PARIS. Aspect General De Paris. Engraving by Fest- 
ard (1850). 


Fine large folio view. 


827 POOR RICHARD ILLUSTRATED. Lessons for the 
Young and Old on Industry, Temperance, and Fru- 
gality, by Benjamin Franklin. Engraved and publish- 
ed by Carrington Bowles. Published in London, 1792. 


Rare. 


328 PORTRAITS, Engraved portraits, mostly from the paint- 
ings at the Chandos Galleries at Stowe. Jane Seymour, 
engraved by R. Cooper (Duke of Buckingham’s private 
plate), Mary Queen of Scots, Charles I., Charles II., 
Lady Jane Grey, Anne Boleyn, and the Chandos por- 
trait of Shakespeare, proof. All bound in one volume, 
folio bound in green morocco. 


RAILROAD 


3829 ACROSS THE CONTINENT. Passing the Humboldt 
River. Colored lithograph by H. Schile & Co., 1870. 
Folio. : | 


It was at this point that the Union Pacific R. R. was 
completed, affording service direct to California. 


3830 THE DREADFUL ACCIDENT on the North Pennsyl- 
vania R. R., July, 1856, about fourteen miles above 
Philadelphia. Colored lithograph by John L. Magee, 
1856. Framed. 


331 EXPRESS TRAIN. Colored lithograph by Currier & 
Ives, New York, 1870. Framed. 


332 HARNDEN EXPRESS. Established in 1839. All Sta- 
tions on the Baltimore & Ohio R. R., and Marietta & 
Cincinnati R. R. Colored lithograph by Major & 
Knapp, New York. 


333 NINTH ANNUAL NEW ENGLAND FAIR at Lowell, 
Mass., Sept., 1892. Colored lithograph by Chas. H. 


Crosby, Boston. Framed. 


In the foreground is depicted the Lowell Courrier of 
the B. VES Nee 


38 


334 OUTSIDE CONNECTED PASSENGER ENGINE; 
Amoskeg Manufacturing Co., Manchester, N. H. Large 
colored lithograph by J. H. Buffords, Boston. Framed. 


335 RAILROAD LINE FROM NEW YORK TO BUFFALO. 
By Boat, Road and Canal. Probably the first through 
ticket for railway travel used in America. Issued about 
1831. New York City to Albany by steamboat, thence 
over the Albany & Schenectady and by canal boat to 
Buffalo. Slight tear mended. 


Very rare. Illustrated in Dunbar. 


336 SAFE ARRIVAL, Engine off the line, a mail train at 
night, a cattle train, mail train in flood, etc. Six views 
on three mounts. Colored lithographs by Dean & Son. 
[circa, 1845. | 


Rare. 


337 SIGNAL OF DANGER. Train in a drift of snow, meet- 
ing the Loop Line, and changing passengers, a luggage 
train on fire, etc. Six views on three mounts. Colored 
lithographs by Dean & Son. [circa, 1845.] 


* Rare. 


338 VIEW OF THE RIVER LEA BRIDGE and Stratford 
Viaduct. Eastern Counties Railway Company. Litho- 
graph by L. Haghes, 1837. Folio. 


339 VIEW OF THE MANCHESTER & LIVERPOOL 
RAILWAY, taken at Newton. Aquatint by Havell. 


340 RHEIMS CATHEDRAL. Original etching. Signed 
artist proof by H. Toussaint, 1883. 


341* RHEIMS PORTALS. Original etching by A. H. Haig. 
Signed proof. Framed. 


342 ROME. View of Rome, from Mount Aventino and drawn 
by the celebrated artist E. Emminger. Tinted litho- 
graph by Herline & Co., Philadelphia, 1870. Large 
folio mounted on linen. 


343 ROWLANDSON. Distillers looking into their own 
business, and A Mistake at New Market, by Rowland- 
son. (2) 


39 


344 


345 


346 


347 


348 


349 


350 


351 


SHIP MODEL. English Ship of the Line. Made of 
bone and very finely executed detail. The rigging in 
good condition. Length, over all, 22% inches. 

Bone models were made by the French sailors who 
were captives _in England during the wars between 
England and France in the period of 1780-1790. The 
material used was the ordinary beef bone which was cut, 
polished and carved until the finished product was the 


beautiful models so much sought for now and of which 
there are so few perfect. 


[See Illustration] 


SHIP MODEL. English Frigate, of bone, rigging in 
good condition. Workmanship excellent. 
Length, over all, 36 inches. 


SHIPPING 


ACT FOR THE GOVERNMENT AND REGULATION 
OF SEAMEN in the Merchant’s Service. Ship papers 
of 1790 of the Schooner Fox of Newburyport, Mass. 


ATLANTIC MAIL STEAM SHIP COMPANY’S 


STEAMER OCEAN QUEEN. Large colored litho- 
graph by Endicott & Co., New York. Framed. 


BURNING OF THE CAROLINE on the night of the 
29th of December, 1837. From Field’s Tavern, near 
Schlosser. Lithograph by Steele, 1838. 


A scarce print. 


CAMBRIA BRIG, Receiving on Board the Last Boat 
Load, from the Kent Indiaman On Fire. Painted and 
engraved by Wm. Daniell, 1825. Proof. 


CENTRAL RAIL ROAD OF NEW JERSEY. Steam 
Ferry Boat Central, from the foot of Liberty Street, 
New York. Colored lithograph by Endicott & Co. 


CENTRAL RAIL ROAD CO. OF NEW JERSEY. 
Steam Ferry Boat Elizabeth, from the foot of Liberty 
Street, New York. Colored lithograph by Endicott & 
Co. 


AQ) 


SHIP MODEL OF BONE. 1780—90 


[NUMBER 344] 


Stee 


«~ 


352 


353 


354 


356 


357 


358 


359 


860 


361 


CLIPPER SHIP COMET of New York. In a Hurricane 
off Bermuda, on her voyage from New York to San 
Francisco, October, 1852. E. C. Gardner, Command- 
er. Colored lithograph by N. Currier, 1855. Framed. 


One of the rarest of the American clipper ship prints. 


CLIPPER SHIP GREAT REPUBLIC. Colored litho- 
graph by N. Currier, 1855. Large folio. Framed. 


Scarcest of the two prints of this famous clipper. 


CLIPPER SHIP SPITFIRE. Original painting signed 
Chuqua. Thos. Reed of Boston, owner. Built in 
Frankfort, Maine, 1853. Record run, Boston to San 
Francisco in 120 days, Framed. 

Size, 18 x 24 inches. 


CLIPPER SHIP SWEEPSTAKES. Colored lithograph 
by N. Currier, after F. F. Palmer, 1853. Framed. 


The Sweepstakes was one of the fastest of the Ameri- 
can clippers and was known in all parts of the world. 


CLIPPER SHIP SYREN. Original painting signed 
Hong Kong. 1861. Framed. Size, 23 x 31 inches. 


The Syren sailed from Boston and was famous for 
her fast sailing time to China and Oriental ports. 


DISMASTED INDIAMAN. The Dunira East Indiaman, 
totally dismasted, in a hurricane at night, January 20th, 
1825. Painted and engraved by Wm. Daniell. Pub- 
lished in London, 1826, Proof. 


EDYSTONE LIGHT HOUSE during the Storm in No- 
vember, 1824. And the Longships Light House off the 
Lands End, Cornwall. Engravings by W. Daniell. 
Published in London, 1825. (2) 


GEM OF THE ATLANTIC. Colored lithograph by N. 
Currier, 1849. 


KENT INDIAMAN on Fire in the Bay of Biscay. 
Painted and engraved by Wm. Daniell. Proof. 1826. 
Folio. 


LA BOUSSOLE OFF RADE DE BOURBON running 
in a high sea. Colored lithograph by Delaplante & 
Durand Brager. 


41 


382 


383 


384 


385 


386 


387 


388 


389 


390 


391 


392 


EPSOM. Saddling in the Warren, The Betting Post, 
Preparing to Start, The Grand Stand, The Race Over. 
Engravings by Chas. Hunt, in colors, after J. Pollard. 
Published in London, 1836. Framed. (5) 


FIELD SPORTS. Plate 2. The Stag Hunt. Old en- 
graved sheet, colored. Published by R. H. Laurie, 
London, 1821. 


GOING OUT IN THE MORNING. In Full Chase. 
Engraving, colored by R. Sayer, London. (2) 


HAMBLETONIAN, the property of W. M. Rydyk. Col- 
ored lithograph by Endicott & Co. 


KNEE DEEP. Engraving, colored by J. Harris. Pub- 
lished in London, 1843. 


PUGILISM. Bendigo, Wm. Thompson, Champion of 
England. Engraving by Chas. Hunt. Colored. 


Contains record of important fights. 


PUGILISM. Mr. John Broughton. Famous for his skill 
in the Athletic Art of Boxing. Mezzotint by W. Rich- 
ardson, 1787. 

Rare portrait. 


PUGILISM. Benj. Canut. Champion of England. Lith- 
ograph by E, W. Clay. Published in New York, 1841. 
Thom. Sayers, Champion of England. Lithograph by 
Geo. Newbold. 


PUGILISM. The Great Fight between Broome and Han- 
nan for 1,000 pounds., Jan. 26th, 1841, at New Park 
Farm. Engraved by C. Hunt. Colored. 


SLEDGE RACE near Montreal. Colored lithograph by 
A. Borum. Framed. 


FLYING DUTCHMAN AND VOLTIGEUR Running 
the Great Match at York on the 13th of May, 1851 for 
1,000 soverigns a side. Engraving, colored by J. Har- 
ris. Published by Messrs. Fores, 1851. 


A4 


393 


394 


395 


396 


397 


398 


399° 


400* 


401* 


402* 


403 


‘THE FOUR IN HAND CLUB. Hyde Park. Engrav- 


ing, colored by J. Harris, after Pollard. Framed. 


RED ROVER. Southampton Coast. The New London 
Royal Mail. Engravings, colored by Chas. Hunt. (2) 


ROAD VERSUS RAIL. Engraving, colored by J. Har- , 
ris. Published by Messrs. Fores, 1845, London. 


TROTTING MARE FLORENCE. Original painting by 
H. H. Cross, 1885, signed and dated. Framed. 
Size, 18 x 24 inches. 


On the back of the canvas is a pedigree of Florence 
by Col. A. Louden Snowden, one time owner of the fam- 
ous mare in which he states “The most beautiful horse 
in action—the fastest—and most delightful animal I 
ever owned or saw.” 


UP HILL, SPRINGING ’EM. Engraving, colored by 
H. Papprill. Published by Ackermann, London, 1845. 


VOLUNTEER. Engraved by Geo. Townly Stubbs. 
Published in London, 1794. 


HAWKING PRINTS. Engravings by R. G. Reeve, drawn 
by F. C. Turner. Late impressions. Framed. Set of 
four. 


THE BATCHELOR’S HALL. After Henry Alken. Late 


impressions in colors. Framed. Set of six. 


TAKING THE LEAD; First at the Fence. Engravings 
by G. E. Hester, after Barber. Good impressions. 
Framed. (2) 


HUNTSMAN AND HOUNDS. Engraving by Oldham 
Barlow, after Richard Ansdell. Colored. Framed. 


TEXTILES. View of a Lapping Room, with the Measur- 
ing, Crisping or Folding the Cloth in lengths. Stipple 
engraving by Wm. Hincks. Published in London, 1791. 


45 


owed 


404 


405 


406 


407 


VOLUNTEER FIRE DEPARTMENT. Diligent Fire 
Engine. Lithograph by Wagner & McGuigan. Dil- 
igent Hose Company, Quick Steps, As Performed by 
Dodworth’s Cornet Band of New York. Lithograph 
by Sarony & Major. (2) 


WARD (JAMES). Sketches by James Ward. Engraved 
by John P. Thompson. Published in London, 1804. 


(4) 


WHALING. Body of Whale Views by Belgium Inhabi- 
tants. Engraved by Joannes Fanssonius, 1618. Folio. 
A very early whaling print showing the body of a 


large whale on sands, with the quaint groups of people 
assembled. 


WHALING. Whalemen’s Shipping list, and Merchants 
Transcript, Vol. XIII. No. 1 to 52, New Bedford, 
March 6th, 1855 to Feb. 26th, 1856 and Vol. IX. No. 
1 and 2. Bound. 


Contains weekly list of whaling ships of New Bedford, 
etc. were last reported, etc. 


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